Bloodlines Gown - from the Red Work Exhibit


The Bloodlines Gown was part of my "Red Work" exhibit at the Hampden Gallery at the University of Massachusetts at Amherst, in 2016. Please see my Artist's Statement below with further details about the work, and my background. The "Red Work" show is hands-down the most exhilarating and inspiring shows I've had the pleasure of working on, and the Bloodlines Gown is my favorite piece from that show! I hope you like it!

"Red Work" was a show that I did collectively with my partner, Jeff Derose, who's adjacent exhibit was called "Triage".. you can see his work from the show and other pieces at

Bloodlines Gown
Size: 29.25 x 40.5 inches (74.29cm x 102.87cm)
Materials: Vintage Antique Girls Slip Gown, Red Cotton Embroidery Thread, Cotton Quilting Fabric, Bamboo & Silk Blend Batting, Linen Fabric.

The Bloodlines Gown was part of the Red Work exhibit at the Hampden Gallery at the University of Massachusetts at Amherst in 2016.
See Gallery website & exhibit information here:

Briana Taylor
Artist’s Statement

Over the last ten years, Briana Taylor’s work has alternated between painting and textile arts with a focus on modern quilting and design. In her research and work she has developed a keen interest in the intersection of traditional quilt practices, modern art, modern style and design.

After seeing a red and white New York Beauty quilt at the New England Quilt Museum in Lowell, MA, she was compelled to recreate the complex 1870’s quilt with no useable pattern and using only the tools available at that time. During this period she became interested in Redwork, a style of red embroidery introduced in the United States around 1880 from the Royal School of Art Needlework in Kensington, England. The embroidery typically depicted cute scenes of birds, puppies and little children playing games in very simplistic linear style.

Approaching Redwork with modern focus, Ms. Taylor became interested in using the medium as a way to reflect her own time and influences on her style from an emotional base. Drawing from her mother’s journal, written just after her father’s death in 2001, and before her mother’s own death in 2009, she used her mother’s words and “found” vintage photographs to attempt to illustrate the undercurrent of loss and loneliness. She also drew from a collection of letters from the early 20th Century.

Briana Taylor has a BA in Studio Art from Mount Holyoke College in South Hadley, MA (1998), and an Associate in Science in Visual Arts from Holyoke Community College (1996). Her college career focused mainly on painting and sculpture, which is still part of her studio practice, with her last exhibit at the Museum of Fine Arts in Springfield.


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